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Expand 4 The Party’s Over: On the Town, Bells Are Ringing, and the Problem of Adapting Postwar New York.

His published essays address a wide range of additional interests, including Beethoven, Wagner, Brahms, Tchaikovsky, Mahler, nationalism, musical allusion, music and identity, disability studies, and film music. He has authored five books and co-edited two others, including Symphonic metamorphoses: Subjectivity and alienation in Mahler’s re-cycled songs (2003), The American musical and the formation of national identity (2005 winner of the George Jean Nathan Award for Dramatic Criticism), The American musical and the performance of personal identity (2006), The Oxford handbook of the American musical (with Mitchell Morris and Stacy Wolf, 2011), and Making light: Haydn, musical camp, and the long shadow of German idealism (2018).

Raymond Knapp, Distinguished Professor of Musicology and Humanities at the University of California, Los Angeles, also serves as Director of UCLA’s Center for Musical Humanities.